Monday, April 26, 2010

KRUGMAN'S COLUMN TODAY ON BOND RATING AGENCIES

Click here to read column.

An old joke: an accountant is asked, “how much do one and one make?” He answers, “how much do you want them to be?” Such was the attitude of big accounting firms, suborned by huge consulting contracts, that abetted Enron and other frauds a decade ago and has informed the more recent behavior of bond rating agencies suborned by lucrative commissions.

They knew prospective buyers, unaware that the agencies had been bought off by sellers, would rely on evaluations biased in favor of their deep-pocket customers.

Of the securities acts, the Racketeer Influenced and Corrupt Organizations Act, mail and wire fraud statutes, and state fraud laws surely some will apply. This isn’t much different than real estate appraisers who abet mortgage frauds by over-valuing properties in order to keep sellers’ business. Eliot Spitzer would have been at the courthouse by now.

New regulations aren’t enough because Wall Street can find a way around any rule by creating new frauds. That’s why, along with better regulations, frauds must be prosecuted to take the profit out of them. This is what President Obama must do if he truly wants to show he isn’t in Wall Street’s pocket.

If the Federal government won’t act, attorney General Cuomo should ask, “what would Eliot do?” Yes, the crooks in Brooks Brothers can hire expensive lawyers, but the State of New York has much to gain and will surely find good lawyers to fight for the people.

Wednesday, April 21, 2010

LITTLE SHOP OF HORRORS AT PERFORMANCE NETWORK - DON'T MISS THIS!

Little Shop of Horrors at the Network is an absolute delight with great singing and acting, direction that is crisp, fluid, and precise but not rushed, and a great set that sets the tone and changes quickly. The mood of the show is comic at first yet the actors take the characters seriously which heightens both the drama and the comedy. This is probably a joint choice by director Carla Milarch and her actors and it works perfectly

Courtney Myer's first song "Somewhere That's Green" was an anthem of joy and wistful, dreaming, hopefulness. She told her story of faint hope with her lovely voice and her eyes. Naz Edwards looked like a plant and sang like a black man, an operatic soul singer, sort of Porgy and bitch. Her voice carried her anger and meanness to the last row and beyond. Jason Richards, who seems perfect for every character he plays, morphed into Seymour. His singing is excellent as always and nailed his character.

B.J. Love was a funny and bouncily youthful old man, a cross between Phil Silvers and Phil Foster.

Little Shop is a morality tale with some Don Giovanni, some Sweeney Todd, and some Mad Comics. I found myself laughing a lot and very loudly yet rising and falling with the fortunes of Audrey and Seymour. I hoped for them although I knew it was hopeless.

The staging of the plant’s carnivorous excess was genius. It happened quickly and believably.

Altogether, and much to my surprise, Little Shop was one of the best evenings I’ve had in theater for a long time.

Miss this and be very, very, sorry.